File:Canal, Giovanni Antonio (Canaletto) - Return of the Bucentoro to the Molo on Ascension Day, c. 1733-4. Royal Collection Buckingham Palace.jpg

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摘要

加纳莱托:​Venice: The Bacino di San Marco on Ascension Day  wikidata:Q19660618 reasonator:Q19660618
艺术家
加纳莱托  (1697–1768)  wikidata:Q182664 q:it:Canaletto
 
加纳莱托
其他姓名
出生名:Giovanni Antonio Canal 化名:Il Canaletto
描述 意大利畫家、​蚀刻家、​平面设计师和建筑绘图员
出生/逝世日期 1697年10月7日 / 1697年10月17日 / 1697年10月18日 / 1697年 在維基數據編輯 1758年4月19日 / 1768年4月10日 / 1768年4月19日 / 1768年4月20日 / 1768年 在維基數據編輯
出生/逝世地点 威尼斯 威尼斯
工作时期 从1716年到1768年
date QS:P,+1750-00-00T00:00:00Z/7,P580,+1716-00-00T00:00:00Z/9,P582,+1768-00-00T00:00:00Z/9
工作地点
威尼斯 (1716–1719), 罗马 (1719), 維也納, 德累斯顿, 威尼斯 (1720–1746), 倫敦 (约1746–1756), 威尼斯 (约1756–1768)
權威控制
creator QS:P170,Q182664
 在維基數據編輯
image of artwork listed in title parameter on this page
标题
英语:
The Bacino di San Marco on Ascension Day 在維基數據編輯
title QS:P1476,en:"The Bacino di San Marco on Ascension Day 在維基數據編輯"
label QS:Len,"The Bacino di San Marco on Ascension Day 在維基數據編輯"
label QS:Lit,"Venezia: Bacino di San Marco bel giorno dell'Ascensione"
label QS:Lfr,"Venise: le bacino di San Marco le jour de l'Ascension"
label QS:Lde,"Venedig: Bacino di S. Marco am Himmelfahrtstag"
label QS:Lnl,"Venetië: Bacino di San Marco aan hemelvaartsdag"
物体类型 畫作 在維基數據編輯
藝術類型 景觀畫 在維基數據編輯
描述
English: bucentaur after the ceremony for the Sposalizio del Mar, the Wedding of the Sea, held on Ascension Day and thus otherwise known as the Festa della Sensa. Venice’s principal annual ceremony was of uncertain origin: it commemorated, according to one tradition, the sailing on Ascension Day in the year 1000 of a war fleet to assert Venetian power along the Istrian coast; according to another, the gift of a ring by Pope Alexander III to Doge Sebastiano Ziani - the greatest of Venice’s medieval doges - to sanction Venice’s authority in the Adriatic, in gratitude for Ziani’s support for the Pope against the Holy Roman Emperor, Frederick Barbarossa (Pope and Emperor were reconciled in San Marco on Ascension Day 1177). The Bucintoro was rowed in procession out of the lagoon into the Adriatic, where the Doge cast a ring blessed by the Patriarch into the waters, symbolising the marriage of Venice to the sea. The Bucintoro depicted here was to be the last, constructed in 1728-9 and crowded with gilded wooden allegorical sculptures by Antonio Corradini. After the fall of Venice to Napoleon’s army in 1797, the upper part of the Bucintoro was burnt to recover the gold, after which the Austrians armed the hulk with cannon and placed it to guard the entrance to the lagoon. It was finally broken up in its birthplace, the Arsenale, in 1824. The view is taken from some way out in the Bacino, directly in front of the Zecca, the south façade of which is seen to the left together with the Libreria. Beyond is the Campanile, shortened to fit it into the painting (four small windows serving the staircase running up the shaft should be visible). In the Piazzetta is the marquee of the Ascension Day market, clearly regarded as an integral part of the festival. Beyond are the Torre dell’Orologio and the south flank of San Marco, with the western dome reduced in size and moved eastwards to be largely obscured by the Palazzo Ducale. To the right of the Palazzo Ducale (much diminished in width) are the Prigioni and Palazzo Dandolo (today the Hotel Danieli); moored to the left of the Bucintoro with its oars raised is the fusta, the Doge’s usual single-masted galleon.
日期 约1733年~1734年间
date QS:P,+1733-00-00T00:00:00Z/8,P1319,+1733-00-00T00:00:00Z/9,P1326,+1734-00-00T00:00:00Z/9,P1480,Q5727902
 在維基數據編輯
表现形式 油彩帆布上方 在維基數據編輯
尺寸 高度:​76.8厘米 在維基數據編輯;寬度:​125.4厘米 在維基數據編輯
dimensions QS:P2048,+76.8U174728
dimensions QS:P2049,+125.4U174728
institution QS:P195,Q1459037
现存地点
登录号
RCIN 404417 (皇室收藏) 在維基數據編輯
收藏史 約瑟夫·史密斯; from whom bought by 喬治三世
展览史
备注
English: Canaletto probably first depicted the scene in a drawing of 1729, below, and the composition was painted many times by the artist and his followers. This version must have been painted at around the same time as its companion piece. This pair is much larger than the other twelve views on the Grand Canal, and were engraved as the final two plates of Visentini's Prospectus Magni Canalis Venetiarum (Venice, 1735), thus providing an uncontested date for completion. Visentini's engravings are based on Canaletto's series of Grand Canal views which were all at one time in the collection of Joseph Smith and are now in the Royal Collection.
参考
来源/摄影师 Web Gallery of Art:   图像  Info about artwork
其他版本

(same painting)

English:
much larger than the other twelve views on the Grand Canal. Canaletto probably first depicted the scene in a drawing of 1729, and the composition was painted many times by the artist and his followers. This version must have been painted at around the same time as its companion piece; engraved as the final two plates of Visentini’s ‘Prospectus Magni Canalis Venetiarum’ (Venice, 1735), Bucentaurus et Nundinae (market) Venetae in die Ascensionis, the overall title of the Prospectus referred only to the Ascension Day market


原始上传日志

原始描述頁面位於這裡。下列使用者名稱均來自en.wikipedia。
  • 2005-10-25 02:16 Honbicot 1251×770× (200539 bytes) ''Return of the Bucentoro to the Molo on Ascension Day'' by [[Canaletto]], 1732. [[Royal Collection]], [[Windsor Castle|Windsor]].

许可协议

这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
Public domain

本作品在其来源国以及其他著作权期限是作者逝世后100年或以下的国家和地区属于公有领域


这个作品在美利坚合众国属于公有领域,因为它首次发布早于1929年1月1日,或于该日期之前在美国著作权局登记。

维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。

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当前2010年4月13日 (二) 15:422010年4月13日 (二) 15:42版本的缩略图1,251 × 770(196 KB)File Upload Bot (Magnus Manske) {{BotMoveToCommons|en.wikipedia|year={{subst:CURRENTYEAR}}|month={{subst:CURRENTMONTHNAME}}|day={{subst:CURRENTDAY}}}} {{Information |Description={{en|''Return of the Bucintoro to the Molo on Ascension Day'' by en:Canaletto, 1732. [[:en:Royal Colle

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