File:The battle of Mazandaran.jpg

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原始檔案(6,292 × 8,327 像素,檔案大小:19.29 MB,MIME 類型:image/jpeg


摘要

維基百科

 該圖片為英文維基百科的特色圖片(Featured pictures)。它被認定為最佳圖像之一。
 該圖片為波斯文維基百科的特色圖片(نگاره‌های برگزیده)。它被認定為最佳圖像之一。

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描述
English: This large-scale painting depicts the Battle of Mazandaran, an event in the Persian romance of the mythical adventures and battles of Amir Hamzah, the uncle of the Prophet Muhammad, recorded in the famous "Hamzahnamah" (Book of Hamzah). The "Hamzahnamah" was begun around 1564 under the sponsorship of the Mughal Emperor Akbar (r. 1556-1605) and was completed in approximately fifteen years. A number of the manuscript's original folios totaling 1,400 in number -- including this painting and its attending text (1-90-154.188 V) -- were brought together, exhibited, and published in 2002 (Seyller 2002: 262-3, fig. 41).

This painting is number 38 in the 7th volume of the "Hamzahnamah", as inscribed between the legs of the man in the bottom center. It depicts a battle scene in which the protagonists Khwajah 'Umar and Hamzah (nicknamed Sahib Qiran, "Owner of the Epochs") and their armies engage in fierce battle. Originally, the faces were depicted, subsequently erased by iconoclasts, and repainted in more recent times. Only the face of the groom wearing an orange turban in the center of the left edge has been left untouched. Immediately above this figure, a soldier in a studded gold tunic has a disjointed face, revealing how an old border was removed and faces retouched.

Approximately 50 painters worked on the project under the supervision of the famous artists Mir Sayyid 'Ali and 'Abd al-Samad, who both had worked ca. 1522-35 on the royal "Shahnamah" of the Safavid ruler Shah Tahmasp (see Dickson and Welch 1981). Although a number of paintings are linked to specific artists, this one does not bear a particular attribution mark.

The large-scale text panel on the verso describes the Battle of Mazandaran. The text is executed in black nasta'liq script on a large beige sheet of paper that bears substantial water damage. The last three lines also exhibit the crowded writing that is seen frequently in the manuscript as the scribe(s) struggled to complete the narrative account on each text page.
日期 約1564年~1579年間
date QS:P,+1550-00-00T00:00:00Z/7,P1319,+1564-00-00T00:00:00Z/9,P1326,+1579-00-00T00:00:00Z/9,P1480,Q5727902
來源 Library of Congress
作者 Unknown Calligrapher
授權許可
(重用此檔案)
此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域,是因下列原因:
Public domain

本作品在其來源國以及其他著作權期限是作者逝世後70年或以下的國家與地區屬於公有領域


你必須增加美國公有領域標籤顯示為何這個作品在美國屬於公有領域。 請注意少數國家的著作權保護期為70年以上:墨西哥為100年,牙買加為95年,哥倫比亞為80年,瓜地馬拉與薩摩亞為75年,而這些國家不實施較短期限法則,因此該圖片可能在這些國家被認為是公有領域。宏都拉斯的著作權期限一般為75年,但該國實施較短期限法則。對於在第二次世界大戰期間為法國利益戰死的法國人(更多資訊)、二戰期間參與過蘇德戰爭(俄羅斯稱之為偉大的衛國戰爭)的俄羅斯人,以及蘇聯時期遭到鎮壓,而死後獲得平反的犧牲者(更多資訊),這些人的作品著作權期限會有所延長。

維基媒體基金會的官方立場認為:「針對平面公有領域的藝術作品進行忠實重製,其重製後的照片也屬於公有領域。」
因此,可認定本重製照片屬於公有領域。在其他司法管轄區,再利用此照片可能會被限制;參見再利用PD-Art照片以獲得進一步資訊。
{{PD-Art}} template without license parameter: please specify why the underlying work is public domain in both the source country and the United States
(Usage: {{PD-Art|1=|deathyear=''year of author's death''|country=''source country''}}, where parameter 1= can be PD-old-auto, PD-old-auto-expired, PD-old-auto-1996, PD-old-100 or similar. See Commons:Multi-license copyright tags for more information.)
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