File:Till en liten vira.jpg
原始檔案 (3,517 × 2,586 像素,檔案大小:2.93 MB,MIME 類型:image/jpeg)
摘要
卡爾·拉森:Getting Ready for a Game | ||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
作家 |
artist QS:P170,Q187310 |
|||||||||||||||||||||||||||
標題 | ||||||||||||||||||||||||||||
物體類型 | 畫作 | |||||||||||||||||||||||||||
藝術類型 | 風俗藝術 | |||||||||||||||||||||||||||
描述 |
"It's really terrible outdoors. The wind is whistling through the joints of the house and the snow is not snow but sharp needles that get into the corners of one's eyes… Just the right time for a game of 'vira'. Here is the tray full of comforting drinks and all the necessaries and Karin is still not finished with the final decorations which include the monastery liqueur which she is taking off the shelf. In the background is the altar itself, the card table that I have arranged myself." Carl Larsson's own description of his painting Getting Ready for a Game in the book entitled Larssons which was published by Bonniers in 1902. The "vira" that Carl Larsson mentioned was an enormously popular card game invented in Sweden sometime in the 19th century. When the picture was painted the Larsson family had settled permanently at their summer residence at Sundborn in the hills of Dalarna. In his autobiography Carl Larsson writes that it was his wife, Karin, who gave him the idea of portraying their home in pictures. Books about the Larsson home in Sundborn sold in huge editions and the pictures spread in innumerable reproductions. Few homes throughout the world have received as much publicity. For many people, Sundborn is the quintessence of all things Swedish though, in point of fact, the Larssons had a very international taste in furnishing. The first of the Sundborn watercolours were shown at the Stockholm Exhibition of 1897. Ellen Key, the pioneering author and feminist, saw them at the exhibition and wrote an article on Beauty in the home that was published in the magazine "Idun". Ellen Key wanted to create opinion against the "Germanic" style of furnishing which was usual at the time in Sweden. This consisted of dark wallpapers, heavy drapes and curtains, velvet-covered sofas and chairs and dried flowers. In Carl Larsson's watercolours she found something that could replace this. Both Ellen Key and the Karin and Carl Larsson had been inspired by John Ruskin's ideas about a more beautiful world beyond that of the mass-produced items of the factories. In Ruskin's view, beauty must collaborate with function and the task of art and architecture was a moral one in that they created the necessary conditions for spiritual health, energy and joy. Ruskin's theory about the importance of beauty in everyday life was taken up by William Morris in the field of crafts. Morris started the Arts and Crafts Movement that sought to bring new life to the traditional crafts as an alternative to industrial products. The ideas of the movement were spread by a highly influential magazine called "The Studio" which the Larssons subscribed to. The famous home at Sundborn was created jointly by Karin and Carl Larsson. Carl took an active part in the public life of the art world while Karin's contribution remained unrecognized right up to the 1980s. In fact Karin Larsson had received a thorough artistic training. She attended both what is now the University College of Arts, Crafts and Design in Stockholm – better known as Konstfack and the Academy of Fine Arts. She met Carl in Paris while he was studying there. After their marriage she gave birth to seven children in rapid succession. And so family life and managing the household took up her time and her professional life retired into the background. Karin never ceased to be creative but channelled this energy into furnishing Sundborn, for example. The home at Sundborn became her life work. For the house constantly changed in character to suit the shifting needs of the family. |
|||||||||||||||||||||||||||
描繪人物 | 卡琳·拉森 | |||||||||||||||||||||||||||
日期 |
1901年 date QS:P571,+1901-00-00T00:00:00Z/9 |
|||||||||||||||||||||||||||
表現方法 |
布面油畫 medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
|||||||||||||||||||||||||||
尺寸 | 68 x 92 cm | |||||||||||||||||||||||||||
藏於 |
institution QS:P195,Q842858 |
|||||||||||||||||||||||||||
登錄號 | ||||||||||||||||||||||||||||
展覽史 |
|
|||||||||||||||||||||||||||
參考文獻 | Nationalmuseum Sweden artwork ID:18965 | |||||||||||||||||||||||||||
來源/攝影者 |
|
|||||||||||||||||||||||||||
其他版本 |
授權條款
此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域,是因下列原因:
維基媒體基金會的官方立場認為:「針對平面公有領域的藝術作品進行忠實重製,其重製後的照片也屬於公有領域。」
因此,可認定本重製照片屬於公有領域。在其他司法管轄區,再利用此照片可能會被限制;參見再利用PD-Art照片以獲得進一步資訊。 |
在此檔案描寫的項目
描繪內容
著作權狀態 繁體中文 (已轉換拼寫)
保有知識產權並由其所有者公開於公有領域 繁體中文 (已轉換拼寫)
維基媒體VRTS工單號碼 繁體中文 (已轉換拼寫)
檔案歷史
點選日期/時間以檢視該時間的檔案版本。
日期/時間 | 縮圖 | 尺寸 | 用戶 | 備註 | |
---|---|---|---|---|---|
目前 | 2012年11月15日 (四) 13:00 | 3,517 × 2,586(2.93 MB) | NMW RNM | User created page with UploadWizard |
檔案用途
下列頁面有用到此檔案:
全域檔案使用狀況
以下其他 wiki 使用了這個檔案:
- ar.wikipedia.org 的使用狀況
- en.wikipedia.org 的使用狀況
- gl.wikipedia.org 的使用狀況
- ja.wikipedia.org 的使用狀況
- ru.wikipedia.org 的使用狀況
- sv.wikipedia.org 的使用狀況
- uz.wikipedia.org 的使用狀況
詮釋資料
此檔案中包含擴展的資訊。這些資訊可能是由數位相機或掃描器在建立時或數位化過程中所加入。
如果此檔案的來源檔案已被修改,一些資訊在修改後的檔案中將不能完全反映出來。
影像標題 |
|
---|---|
寬度 | 3,517 px |
高度 | 2,586 px |
每像素位元 |
|
壓縮方式 | 未壓縮 |
像素合成 | RGB |
方位 | 標準 |
像素數量 | 3 |
水平解析度 | 300 dpi |
垂直解析度 | 300 dpi |
資料排列 | 矮胖格式 |
使用軟體 | Adobe Photoshop Elements 9.0 Windows |
檔案修改日期時間 | 2012年11月15日 (四) 09:41 |
色彩空間 | 顏色未校準 |
影像寬度 | 3,517 px |
影像高度 | 2,586 px |
原始文件唯一識別碼 | adobe:docid:photoshop:f5f8ed98-fcbc-11d8-9529-d30880ffb132 |
版權狀態 | 版權狀態不明 |
數位化的日期時間 | 2004年9月15日 (三) 17:54 |
詮釋資料最後修改日期 | 2012年11月15日 (四) 10:41 |
IIM 版本 | 2 |