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The Revenant | |
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基本资料 | |
导演 | 阿利安卓·岗札雷·伊纳利图 |
监制 |
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剧本 |
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原著 | 神鬼猎人 (小说) 迈克·庞克作品 |
主演 | |
配乐 | |
摄影 | 艾曼纽尔·卢贝兹基 |
剪辑 | Stephen Mirrione |
片长 | 156 minutes[1] |
产地 | United States[2] |
语言 | English |
上映及发行 | |
上映日期 |
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发行商 | 二十世纪影业 |
预算 | $135 million[3] |
票房 | $533 million[4] |
The Revenant is a 2015 American 史诗片 剧情片 directed by Alejandro G. Iñárritu. The screenplay by Mark L. Smith and Iñárritu is based in part on 迈克·庞克's 2002 novel 神鬼猎人 (小说), which describes 边境sman Hugh Glass's experiences in 1823, and which is based on the 1915 poem Cycle of the West. The film stars 莱昂纳多·迪卡普里奥 and 汤姆·哈迪.[5]
In August 2001, 阿奇瓦·高斯曼 purchased Punke's manuscript. Iñárritu signed on to direct The Revenant in August 2011; in April 2014, after several delays due to other projects, Iñárritu confirmed that he was beginning work on it and that DiCaprio had the lead role. 主体拍摄 began in October 2014. Location and crew concerns delayed production from May to August 2015.
The Revenant premiered at the TCL Chinese Theatre in Los Angeles, California on December 16, 2015. It had a 有限上映 on December 25 and a 全国上映 on January 8, 2016. It was a blockbuster, grossing $533 million worldwide. It received critical acclaim, with praise for the performances, particularly for DiCaprio and Hardy, Iñárritu's direction, and Lubezki's cinematography; however, some criticism went to screenplay and runtime.[6][7][8]
It won three 金球奖 and five 英国电影学院奖, including Best Film at both shows. For the 第88届奥斯卡金像奖, the film received 12 nominations, including 奥斯卡最佳影片奖 and 奥斯卡最佳男配角奖 (Hardy). It won the Academy Awards for 奥斯卡最佳导演奖 (Iñárritu, his second consecutive in that category), 奥斯卡最佳男主角奖 (DiCaprio, his first after 5 previous nominations), and 奥斯卡最佳摄影奖 (艾曼纽尔·卢贝兹基, his third consecutive in that category). DiCaprio also won the 金球奖剧情类电影最佳男主角, the 美国演员工会奖最佳男主角, the 英国电影学院奖最佳男主角, and the 评论家选择电影奖最佳男主角 for Best Actor.
Plot
In late 1823, Hugh Glass guides Captain Andrew Henry (fur trader)'s 狩猎陷阱 through the territory of the present-day The Dakotas. While he and his half-波尼族 son, Hawk, are hunting, the company's camp is attacked by an Arikara war party seeking to recover its Chief's abducted daughter, Powaqa. Many of the trappers are killed during the fight, while the rest of them escape onto a boat. Guided by Glass, the survivors travel on foot to Fort Kiowa, because he believes that traveling downriver will make them vulnerable. After docking, the crew stashes the pelts near the shore.
While scouting game, Glass is mauled by a 灰熊 and left near death. Trapper John Fitzgerald, who is fearful of another Arikara attack, argues that the group must 安乐死 Glass and keep moving. Henry agrees, but he is unable to pull the trigger; instead, he offers money for someone to stay with Glass and bury him after he dies. When the only volunteers are Hawk and the young 吉姆·柏瑞哲, Fitzgerald agrees to stay for money, to recoup his losses from the abandoned pelts.
After the others leave, Fitzgerald attempts to smother Glass but is discovered by Hawk. Fitzgerald, afraid that Hawk's loud reaction to his attempt to kill Glass could alert Bridger, who is away gathering water, stabs Hawk to death as Glass watches helplessly. The next morning, Fitzgerald convinces Bridger, who is unaware of Hawk's murder, that the Arikara are approaching and they must abandon Glass. Bridger protests at first, but he ultimately follows Fitzgerald after the latter leaves Glass half-buried alive in a makeshift grave. Bridger leaves his canteen, in which he engraved a spiral symbol, with Glass. After they depart, Fitzgerald admits that he lied about the approaching Arikara. When Fitzgerald and Bridger later meet Henry at the fort, Fitzgerald tells Henry that Glass died and Hawk vanished. Bridger is complicit in the lie about Glass's death, although he knew nothing about Hawk's disappearance.
Glass begins his arduous journey through the wilderness. He performs crude cauterization of his wounds and eludes the pursuing Arikara by jumping into white water rapids. He later encounters Pawnee refugee Hikuc, who says that "revenge is in the Creator's hands." The men share bison meat and travel together. As a storm approaches, Hikuc constructs a makeshift sweat lodge for a feverish Glass to shelter in. After a hallucinogenic experience in the lodge, Glass emerges to discover that his wounds are healing but Hikuc has been hanged by French hunters. He infiltrates their camp and sees the leader raping Powaqa. He frees her, kills several hunters and recovers Hikuc's horse. The next morning, Glass is ambushed by the Arikara and driven over a cliff on his horse. He survives the stormy night by eviscerating the horse and sheltering inside its carcass.
A frightened French survivor staggers into Fort Kiowa, and Bridger recognizes his spiral engraved canteen as Glass's. Believing that it was stolen, Henry organizes a search party. Fitzgerald, realizing that Glass is alive, empties the outpost's safe and flees. The search party finds the exhausted Glass. Furious, Henry orders the arrest of Bridger, but Glass vouches for Bridger by stating that he was not present when Fitzgerald murdered Hawk and was later deceived and threatened by the higher-ranking Fitzgerald. Glass and Henry set out in pursuit of Fitzgerald.
After the two split up, Fitzgerald ambushes, kills, and scalps Henry. Glass finds Henry's corpse, places it on his horse to act as a decoy, and shoots Fitzgerald in the arm. He pursues Fitzgerald to a riverbank, where they engage in a brutal fight. Glass is about to kill Fitzgerald, but he spots a band of Arikara downstream. He remembers Hikuc's words and pushes Fitzgerald downstream into the hands of the Arikara. Elk Dog kills and scalps Fitzgerald, and the Arikara (who have found Powaqa) spare Glass. Glass retreats into the mountains where he is visited by the spirit of his wife and is heard breathing throughout the credits.
Cast
- 莱昂纳多·迪卡普里奥 as Hugh Glass
- 汤姆·哈迪 as John Fitzgerald
- 多姆纳尔·格里森 as Andrew Henry (fur trader)
- 威尔·普尔特 as 吉姆·柏瑞哲
- Forrest Goodluck as Hawk
- 保罗·安德森 (演员) as Anderson
- Kristoffer Joner as Murphy
- Duane Howard as Elk Dog
- Melaw Nakehk'o as Powaqa
- Arthur Redcloud as Hikuc
- 卢卡斯·哈斯 as Jones
- 布莱登·佛雷切 as Fryman
- 汤姆·盖里 as Billy Brother Trapper
- Grace Dove as Hugh Glass's wife
制作
筹备
《神鬼猎人》自2001年8月开始筹备,当时制片人阿奇瓦·高斯曼取得了迈克·庞克的未出版手稿的改编版权[9]。David Rabe写下该片的剧本[10]。朴赞郁接手制作,并考虑由森姆·积逊领衔主演。朴赞郁之后退出了企划[11][12]。筹备过程陷入停滞,直到2010年,Mark L. Smith为Steve Golin的Anonymous Content写了一份新的改编剧本。2010年5月,史密斯揭露约翰·希尔寇特将执导演筒,而克里斯汀·贝尔正在协商主演事宜[13]。希尔寇特在2010年10月退出[12],Jean-François Richet曾是接替他的考虑人选,不过最终阿利安卓·岗札雷·伊纳利图在2011年8月签下导演一职[12][14]。同时高斯曼也经证实将担任监制,偕同他的公司Weed Road Pictures[14]。2011年111月,摄政制片公司加入Anonymous Content的制作行列,二十世纪影业确定将担任发行商[15][16]。一段时间后,Days later, 伊纳利图表示他有意找莱昂纳多·迪卡普里奥与西恩·潘来饰演两名领衔角色[17]。
伊纳利图同意担任导演后,他马上开始和史密斯一起改写剧本。史密斯在访谈中承认,在改写过程中,他不确定伊纳利图是否有能力将某些他们写的桥段拍出来。史密斯回忆道:“如果他有些点子,我就会说:‘阿利安卓,我们搞不定这个的。这不会成功’,然后他会说:‘马克,相信我,我们可以的’。到头来,他是正确的。”[18]
电影制程在2012年3月喊暂停,因为摄政制片公司聘请伊纳利图去导演非虚构小说《Flim-Flam Man》的改编电影[19];潘也是那部电影的主演人选[20]。2012年12月,伊纳利图宣布他的下一部电影会是《鸟人》。《鸟人》于2013年3月开拍[21],伊纳利图预定于《鸟人》杀青后开始制作《神鬼猎人》[22]
《神鬼猎人》拥有6000万美元的制作预算,摄政制片公司资助了其中的3000万。布莱特·拉特纳的RatPac-Dune Entertainment也是本片的赞助商[15]。曾资助《鸟人》的Worldview Entertainment原本也会资助《神鬼猎人》,但因为CEOChristopher Woodrow离职,所以在2014年7月打消计画[15][22][23]。摄政制片公司向二十世纪福斯要求更多资金,但后者不予答应,理据是他们已经和迪卡普里奥与汤姆·哈迪签了保证合约,无论电影是否完成都要支付片酬给这两位演员[23]。稍晚,安纳布尔纳影业的梅根·艾利森协商赞助本片的事宜[15][23]。中国公司奥飞娱乐部分资助了本片[24]。
拍摄
本片的主体拍摄于2014年10月开始[25]。定于12月的两周休息延长至六周,迫使哈迪退出《自杀突击队》的演出。2015年2月,使用自然光拍片的伊纳利图表示,原定于3月结束的拍摄将持续进行至“4月底或5月”,因为“我们的拍摄时数非常少,(……)我们是在如此偏远的地方拍片,光是去回就花掉了一天的40%。”[26][27][28]最终,主体拍摄在2015年8月结束[29][30]。
瀑布场景在邻近美国蒙大拿州利比的Kootenai Falls拍摄。电影的最终桥段原定于加拿大取景,不过因为当时天气太暖,剧组只好移师至阿根廷南端,在白雪覆盖地面的河流Rio Olivia拍摄[25][31]。
剧组成员经常抱怨拍摄困难的问题,许多人退出或遭到开除。Mary Parent随后被带来担任制作人[25]。对于工作人员的离开,伊纳利图解释道:“身为一个导演,如果我认定某把小提琴走调了,就得把它从管弦乐团拿掉。”狄卡皮欧在谈到拍摄时的体验时表示:“我可以举出三十或四十个桥段,都是我这辈子被要求做的事情中最困难的。管它是在结冻的河流上岸又下水,还是睡在动物尸体里头,又或者是拍片现场的伙食。(我一直在)忍受刺骨寒冷和可能发生的失温症。”[32][33]
伊纳利图打算按照剧情顺序来拍片,但这种作法非常费力且在业界不常见,以本片来说会多花700万美元的预算[34]。伊纳利图后来证实,本片确实是循序拍摄,不同于哈迪的说法,后者称这种作法因为天气的缘故而无法实行[35][36]。
2015年7月,有报导称本片的预算花费已从6000万美元增加至9500万美元,截止至杀青时甚至达到1.35亿美元[3]。
视觉效果
《神鬼猎人》的视觉效果主要由光影魔幻工业(ILM)操刀。包含Moving Picture Company(MPC)和Cinesite在内的其他公司也有参与制作[37]。
音乐
本片的电影配乐由日本音乐家坂本龙一和德国电子音乐家Alva Noto谱写,Bryce Dessner制作额外配乐[38]。配乐主体由Northwest Sinfonia的音乐家们录制,录制地点在西雅图Bastyr Chapel的Seattlemusic Scoring Stage。录音现场由坂本指挥。Dessner谱写的配乐由25人的柏林管弦乐团“s t a r g a z e”演奏,André de Ridder指挥[39][40]。片中使用的其他授权乐曲包含John Luther Adams的“Become Ocean”和法国音乐家Eliane Radigue的“Jetsun Mila”,前者由Seattle Symphony录制,Ludovic Morlot指挥[41]。原声带于2015年12月25日数位发行,2016年1月8日发行CD。Milan Records released a vinyl pressing of the soundtrack in April 2016.[40]
由坂本和Noto操刀的配乐没有角逐奥斯卡最佳原创音乐奖的资格,因为其是由“多于一名作曲家的音乐所组成”[42]。
主题
影评人在Wai Chee Dimock在《Los Angeles Review of Books》上撰文,将《神鬼猎人》的主题与詹姆斯·菲尼莫尔·库珀的文学作品相比较,特别是后者的《最后的摩根战士》。Dimock认为本片重新诠释了“half-breed”的概念,从库珀所鄙视的贬抑概念,变成一种带有审美观点的看世界方式。她将两部作品的主角——格拉斯和Hawk-eye——当成文学上的映衬角色来比较,称格拉斯的存在对于后者,是一种身世和视角方面的颠覆[43]。[需要解释]
在纪录片《未被看见的世界》中,伊纳利图表示,对于本片的核心主题,他重新审视强烈父母心和子女身分的议题和困扰,这些是他的作品中反复出现的主题。关于贯穿本片的复仇主题,伊纳利图称片中出现的复仇方式,需要被某个想将复仇视为一种应用在生活中的有效或者有用的道德的人来淡化。伊纳利图称,那些将复仇当成更崇高的生命意义或目的之人,最后拥有的只有失望和不充实感[44][45]。[需要解释]
历史准确度
《卫报》报导称:“格拉斯爱上一位波尼族女人的背景故事是虚构的。虽然有人猜测格拉斯本尊有过这么一段关系,但缺乏确切的证据——也没有证据表明他有孩子。(……)对于结局,结局被以一种明显的方式变更:现实中没有人被杀。”[46]
加拿大男演员Roy Dupuis强烈批评本片将法裔加拿大人的“Voyageurs”描绘成杀人不眨眼的强奸犯。Dupuis原本获邀饰演其中一名Voyageurs,但他发现这当中有反法偏见和历史不准确之处,所以拒绝[47][48][49][50]。北美殖民地方面的加拿大首席研究员Allan Greer则指出:“一般而言,美国贸易商的名声比加拿大贸易商还糟糕。”[47]
伊纳利图在公开演讲中特别强调本片涉及的族群历史议题之重要性,这些议题在电影中透过格拉斯的混血儿子加以呈现,伊纳利图称这和他自己的人生及对族群问题的认同有关。伊纳利图提到他遇到过持续的仇外情绪,并表示:“这些源源不绝且不留情的仇外(言论)已经被媒体毫不羞耻地广泛传播,在美国各处受到领导者们和社区的接纳和鼓吹。因为这一切的根基是如此不像话,(仇外)甚至可以被淡化成《周六夜现场》的喜剧小品、一个单纯的娱乐、一则笑话……我曾自问,我该不该在今晚搬出这个令人不适的话题,但鉴于近来那些持续针对我的墨西哥同胞的仇外言论,我想这无法回避。”[51]
历史学家也指出本片中出现的几个时代错置。其中一例出现在约翰·费茨杰罗谈到他爸在德州骑警司有朋友,打算要到德州加入他们。这段话表示德州当时是联邦的一部分,或者是与之结盟的地区。然而实际上在1823年,当时的德州(墨属德克萨斯)是一个人口很少的墨西哥省分,所以不会有美国军队,更何况是德州骑警[52]。
原住民文化
为了准确描绘阿里卡拉族的文化,伊纳利图雇用了几名文化顾问[53][54],并与两名语言学家合作,以求提供演员可信的阿里卡拉语与波尼语台词[55][56]。对格拉斯伸出援手的波尼族人Hikuc由一名纳瓦霍人饰演[57]。其中一个场景透过配音让Hikuc说了一段因纽皮雅特语,但这个语言来自阿拉斯加极地,相隔几千公里之远,和波尼语也属于不同语系。这段配音由Doreen Nutaaq Simmonds朗诵,内容是John Luther Adams从一名因纽特女人Uvavnuk纪录来的诗[58]。
上映
《神鬼猎人》于2015年12月25日起先在洛杉矶等地有限上映,使本片有资格角逐第88届奥斯卡金像奖奖项,之后才在2016年1月8日全国上映[59][60]。在澳大利亚和英国,本片分别于2016年1月7日和15日上映[61][62]。本片原定于2016年1月27日在菲律宾上映,最后延迟一周到2月3日[63][64]。制片方原本选择不在中华人民共和国进行院线上映,不过在本片赢得3项奥斯卡金像奖后便谈妥在中国发行[65]。本片于2016年3月18日在中国上映,有几处删减[24]。
家用媒体
本片的DVD、蓝光光碟和超高清蓝光光碟于2016年4月12日在美国发行[66]。DVD的首发销量加上线上订单使本片登上Amazon销售榜首[67]。2016年5月17日,家用媒体上架至美国的主流出租店[68]。
盗版
电影上映前不到一周,《神鬼猎人》的试映拷贝在2015年12月20日在网路上流出。联邦调查局认为这起案件和Alcon Entertainment的CEO Andrew Kosove有关,但他否认[69]。2016年10月,一名前二十世纪福斯员工因为将《神鬼猎人》和《史努比 The Peanuts Movie》上传至网路上而受罚112万美元[70]。
纪录片
本片有一部聚焦制作过程的44分钟纪录片“A World Unseen”,于2016年1月21日发布于YouTube[44][45]。Eliot Rausch担任纪录片的导演[71][72]。
回响
票房
《神鬼猎人》在美国和加拿大共有1.83亿美元的票房,加上来自其他地区的3.493亿美元,全球票房为5.33亿美元,而制作预算则是1.35亿美元[4]。《Deadline Hollywood》在考虑所有成本和收益的情况下,算出本片的净利为6160万美元[73]
在北美,《神鬼猎人》于2015年12月25日在纽约和洛杉矶的四家剧院有限上映,在该周末收获474,560美元,排名23,平均每家剧院进帐118,640美元[74],在2015年电影中仅次于《史帝夫贾伯斯》(平均每家130,000美元)[75]。本片在全国上映前有限上映两周,共收获160万美元,2016年1月8日开始在3,371家剧院广泛上映[76][77]。
本片在2,510家剧院的星期四抢先场共收获230万美元的票房[76]。星期五开画当天,本片收获1440万美元,是当天的票房冠军[78]。统计整个首映周末,本片透过3,375家剧院获得3980万美元的票房,比原先预测多出七成,票房仅次于上映第四周的《STAR WARS:原力觉醒》(4240万美元)。该票房成绩是导演伊纳利图的个人最佳,也是狄卡皮欧和哈迪的个人第四[79]。有评论指出,《STAR WARS:原力觉醒》本来就有优势,其上映剧院数多出781家、电影院的周日午场以适合阖家观赏居多,且该片在北美所有的IMAX都有放映[79]。不过,《神鬼猎人》的票房表现分布均衡,除了东北地区外,在其他所有州的表现都超乎预期[79]。《神鬼猎人》的首映周末票房也是历来的1月份最高[80]。本片在广泛上映后的第三个周末登顶票房冠军,胜过上映第二周的《龙兄唬弟2》。在该周末,尽管2016年1月美国雪暴笼罩大半美国东岸并据称重挫不少电影票房,本片仍进帐1600万美元并卫冕,票房和前周比起来下跌49.7%[81][82][83][84]。再下一个周末,本片被新上档的动画片《功夫熊猫3》超越,仅维持一周的冠军[85]。1月14日公布奥斯卡金像奖入围名单后,《神鬼猎人》是最佳影片角逐者中票房增长最多的,截止至2月28日的颁奖典礼时,本片的票房从5410万美元跃升至1.705亿美元,增加了215%[86]。
在北美以外地区,本片在78个国家上映[87]。本片首先在18个地区的2,407家剧院上映,共收获2050万美元,在国际票房榜上仅次于《原力觉醒》,若仅考虑新片的话则为榜首[88]。隔周,25个地区的4,849家大银幕贡献了3230万美元的票房[87]。本片在第三个周末同时称冠美国票房和国际票房,以来自48个地区的3370万美元击败《原力觉醒》[89]。In the United Kingdom and Ireland, it took the No. 1 spot with $7.87 million or £5.2 million ($7.4 million) from 589 theaters and remained there for a second weekend declining by 24% with £3.86 million ($5.5 million), as well as for a third weekend.[87][90][91][92][93] Similarly, in Russia, it passed The Force Awakens to take the top spot with $7.5 million from 1,063 screens.[88] In France, it has the biggest opening day in Paris and the third-biggest opening weekend of 2016 with $8.2 million.[94] It also opened at No. 1 in Mexico ($5.1 million), Spain ($4 million), the Netherlands ($1.3 million), Belgium ($1.1 million), Argentina ($955,000), Sweden ($914,000), South Korea, Denmark, Norway, Israel, Egypt and Portugal among other markets.[87][89][92][95] In Germany ($4.6 million) and Australia ($2.9 million), it debuted at No. 2 both behind The Force Awakens and in Brazil ($2.17 million) behind The Ten Commandments.[88][95] It had one of the top ten openings of all time for a Fox film, not accounting for inflation in South Korea with $5.7 million and went on to top the box office there for a second weekend with $3.22 million despite cold weather affecting theater attendance resulting in low box office performance.[96][97] In Russia, despite not opening at No. 1, it topped the box office in its second weekend with $4.4 million—more than The Force Awakens—and went on to the top for a third weekend with $3.6 million.[87][98] In China, it had an opening day of around $11 million from more than 11,000 screens, including $250,000 in midnight previews, and $23 million in two days.[99][100][101] In its opening weekend, it grossed $31 million, coming in second place behind the animated 动物方城市. IMAX comprised $2.3 million on 278 screens.[102] In terms of total earnings, its largest markets outside of the US and Canada are China ($58.6 million), the United Kingdom ($32.8 million), Germany ($28.7 million) and France ($28.2 million).[103][104] The film opened in Japan on March 23.[94][105]
专业评价
本片获得多数影评人的赞美。影评汇总网站烂番茄收集404份评论文章,其中有315份给出了“新鲜”的正面评价,“新鲜度”为78%,平均得分7.80(最高10分),该网站的共识评价写道:“《神鬼猎人》的高度坚持带来高度美感飨宴,本片以莱昂纳多·迪卡普里奥尽心尽力的演出为驱动燃料,化为严苛但令人收获丰富的迷人剧情片。”[106]另一网站Metacritic上收集的50篇评论中则有41篇好评,1偏差评,8篇褒贬不一,综合评分76(最高100),属好评居多[107]。根据CinemaScore调查,观众的反应在A+至F间落于“B+”,而PostTrak则指出,观众给出了85%的正面评分,并有59%的观众表示“绝对推荐”[108][109]。
《CBS新闻》引用的评论家极力赞赏狄卡皮欧的演出,称之为“他对角色付出程度的精采证明”和“凶猛的200%投入所展现的独挑大梁演技”[7]。《滚石杂志》的影评人彼得·崔维斯将狄卡皮欧的演技称作“一场精湛的演出,其蛮力和说服力令人震颤”[110]。为《Vulture》写稿的David Edelstein称本片为“精心杰作” and "[b]leak as hell but considerably more beautiful," but noted the film had "traditional masculinity instead of a search for what illuminates man's inhumanity to man."[来源请求]
Justin Chang of 综艺 (杂志) wrote Iñárritu "increasingly succumbs to the air of grim overdetermination that has marred much of [his] past work" and it was "an imposing vision... but also an inflated and emotionally stunted one."[7] Stephanie Zacharek, writing for Time magazine, gave a positive review to the film stating: "Inarritu may have fashioned The Revenant as the ultimate endurance test, but as Glass, DiCaprio simply endures. He gives the movie a beating heart, offering it up, figuratively speaking, alive and bloody on a platter. It—he—is the most visceral effect in the movie: revenge served warm. Bon appetit."[6] Richard Brody of 纽约客 was critical of the film, and said that 艾曼纽尔·卢贝兹基's images were mere "pictorial ornament[s] to Alejandro G. Iñárritu's bland theatrical stagings."[111]
偏锋杂志's writer Ed Gonzalez suggested that the Slant staff in large part disliked the film: "Our contempt for The Revenant knows no limits."[111] Gonzalez unfavorably compared Iñárritu's work to 泰伦斯·马利克's 2005 film 新世界 (2005年电影). In the official review, Slant writer Jaime N. Christley wrote: "The Revenant [is] a misery-fest that plants its narrative flags as carelessly as a 罗兰·艾默瑞奇 blockbuster, guaranteeing us a viewing experience almost as arduous as the trials depicted on screen, before reaching a conclusion that's sealed the moment audiences first meet the key players. After an obligatory false calm, The Revenant's proper opening scene is a show-stopping massacre at a fur trapper's campsite. It's the kind of thing 霍华·霍克斯 would have handled—and did, in The Big Sky (film)—in under 90 seconds, with mostly off-camera particulars and minimal effects, but Iñárritu forces it to resemble the Normandy Beach sequence in 抢救雷恩大兵 as much as history or sense will allow, and then some."[112] The Revenant was ranked 22nd on Metacritic's and 79th on 烂番茄' list of best films of 2015.[113][114][115]
奖项
The Revenant has received numerous award nominations and wins, particularly for DiCaprio's performance, Iñárritu's direction and Lubezki's cinematography. At the 第88届奥斯卡金像奖, Iñárritu won 奥斯卡最佳导演奖 for the second consecutive time, 艾曼纽尔·卢贝兹基 won 奥斯卡最佳摄影奖 for the third consecutive time, and DiCaprio won his first award for 奥斯卡最佳男主角奖. Hardy lost the award for 奥斯卡最佳男配角奖 to 马克·里朗斯 for 间谍之桥, and the film itself lost 奥斯卡最佳影片奖 to 惊爆焦点.[116]
At the 第73届金球奖, it won three awards: 金球奖最佳戏剧类影片, 金球奖最佳导演, and 金球奖剧情类电影最佳男主角. It also had a nomination for 金球奖最佳原创配乐奖.[117] On January 14, 2016, the film received 12 奥斯卡金像奖 nominations (more than any other film at the ceremony), including 奥斯卡最佳影片奖 and 奥斯卡最佳导演奖 for Iñárritu, as well as 奥斯卡最佳男主角奖 and 奥斯卡最佳男配角奖, for DiCaprio and Hardy, respectively.[118] On February 14, 2016, the film received the most awards at 第69届英国电影学院奖 out of eight nominations, with five, including 英国电影学院奖最佳影片, 英国电影学院奖最佳导演, BAFTA Award for Best Cinematography, BAFTA Award for Best Sound, and 英国电影学院奖最佳男主角.[119] It received nine 评论家选择电影奖 nominations, winning two—for DiCaprio as 评论家选择电影奖最佳男主角 and 评论家选择电影奖最佳摄影 for Lubezki.[120]
汤姆·哈迪 won the London Film Critics' Circle Award for British Actor of the Year award at the 伦敦影评人协会 and was runner-up for 达拉斯—沃斯堡影评人协会奖最佳男配角 at 达拉斯—沃斯堡影评人协会.[121][122] DiCaprio was awarded 美国演员工会奖最佳男主角 award at 第22届美国演员工会奖, and Iñárritu received Directors Guild of America Award for Outstanding Directing – Feature Film award at 第68届美国导演工会奖.[123] It received five 第20届卫星奖 nominations, winning the award of 卫星奖最佳男主角 for DiCaprio.[124]
On May 2, 2016, 时代杂志 magazine included both DiCaprio and Iñárritu in its issue of the 100 Most Influential People of 2015, with a cover photograph of DiCaprio on the magazine. 约翰·福布斯·凯瑞, then the US Secretary of State, wrote a short testimonial to DiCaprio for this issue of Time stating that DiCaprio's dedication drives him to succeed and "that's how he takes himself back 200 years to create an Oscar-winning, bear-brawling, powerhouse performance in The Revenant."[125]
See also
- Survival film
- Man in the Wilderness, a 1971 西部作品 film loosely based on the Hugh Glass story
- Lord Grizzly, a 1954 biographical novel by Frederick Manfred, about the Hugh Glass story
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External links
- 官方网站
- A World Unseen (A documentary about The Revenant) at YouTube
- 互联网电影数据库(IMDb)上《EzrealChen/备用沙盒108》的资料(英文)
- AllMovie上《EzrealChen/备用沙盒108》的资料(英文)
- TCM电影资料库上《EzrealChen/备用沙盒108》的资料(英文)
- The Revenant at History vs. Hollywood
- The Revenant at the Movie Review Query Engine
- The Revenant at 烂番茄